Prins Eugens Waldemarsudde visar just nu en utställning om konstnärsrollen under det sena 1800-talet. Men utställningen är splittrad, och trots att den utger sig för att skildra framväxten av kvinnligt måleri ger den märkligt mycket utrymme åt manliga konstnärer. Det menar funkisaktivisten Bengt Elmén.
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